Make Noise tELHARMONIC Multi-Voice, Multi-Algorithm Synth
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The Make Noise tELHARMONIC is a 3 output, 3 note oscillator using additive synthesis, phase modulation and pitched noise with sideband width
- 3 Voice Additive Harmonic synthesis inspired by Thaddeus Cahill's Telharmonium, 1897
- Noise synthesis inspired by early computer music piece "Analog 1: Noise Study" by James Tenney, 1961
- 3 Voice Phase Modulation synthesis inspired by early commercial digital synthesis, 1980's
- CENTROID, FLUX and H-LOCK animate each Algorithm uniquely
- All Algorithms available simultaneously at their respective outputs
- 6 octaves of continuous 1V/ Octave pitch control
- 4 octaves of quantized pitch control
- Voltage Controlled Music Theory
- DEGREE Modulation able to be synchronized by clock or gate via D-Gate input
- Gate Out completes the conversation between tELHARMONIC and rest of system!
- Utilizes High performance DSP hardware with 24bit, 48kHz codec, 32 bit floating point processing
- Has Spiratone inside
The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesiser module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesiser.
The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.
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When you want to get the patch started off with the thick sound of four oscillators, patch out from the SE Quadnic!
- Oscillator module for Eurorack systems
- Four VCOs onboard
- Each VCO features 64 waveforms...
- ... and 7 processing modes...
- ...and a 1V/octave input
- Process CV input
- Individual and mix outputs
- Width: 12 HP
- Current draw: 50 mA max
Roland is back in the modular game! With the Roland 512 Dual VCO, you can put those classic Roland modular sounds in your Eurorack system
- Dual oscillator module for Eurorack
- Pulse, triangle and sawtooth waveforms
- Pulse width modulation
- Soft and hard sync modes
Modular synthesis is great, but sometimes the power to drop in some samples is what you want: enter the mighty ADDAC 111 Ultra Wav Player!
- Wav file player for Eurorack systems
- Better control for loop size and start point compared to the ADDAC 101, with cv attenuator separate from initial pot. Bipolar inputs are now allowed as well
- Dedicated controls for file selection
- Individual skip with state (up or down)
- Independent random gate in
- CV input (all files mapped to 0-5v, allows sequencing of files)
- Dedicated loop settings state (one shot / loop) with external control
- Dedicated sample rate on/off state with external control
- Width: 16 HP
- Current draw: 150 mA
Need some oddness? Get the Make Noise Wogglebug, which is a dual random voltage generator, dual VCO and ring mod with a 'woggle' CV out
- Complete Complex Random Voltage system, no external modules necessary
- Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
- Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
- Generates ultra stable, voltage controlled Master Clock
- External inputs for S&H (Heart IN) and Ring-Mod (Influence)
- Disturb button adds performance element
- Width: 10hp
- Max Depth: 24mm
Add a bit of digital sampling to your analog modular system and world with the ADDAC 101 Wave Player, which offers a load of control
- Four variable settings, Loop Size, Initial Position, Sample Rate and VCA controlled either manually through the corresponding front panel knob or externally from a CV input.
- Two sound outputs: one pre-VCA (with a pre-volume knob) and one post-VCA (located in the VCA section).
- An Envelope Follower CV output.
- Loop Size - dynamically control the size of the loop, by trimming down the total duration to a smaller size.
- Initial Position - dynamically control the initial point of the loop, also allowing scrolling through the file duration.
- Sample Rate - dynamically change the sample rate resolution, altering the pitch of the playback.
- Voltage Controlled Amplifier - analogue VCA to dynamically control the overall volume of the sound output.
- Envelope Follower - a CV output that changes according to the playback amplitude (post-VCA), with controls for level and decay. It also features a led monitor for easy visualization.
- Led monitors - visualize current state of Size, Position and Rate controls.
- Skip / Loop switch - set the Gate/Digital input to either a file access mode or re-trigger mode.
- Playback modes - set playback modes between Loop / One Shot | Forward / Random.
The Mutable Instruments Elements is a complete voice in a module that lets you break free from traditional subtractive synthesis approaches
- Modal synthesiser module
- Full synth voice in one module
- Combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing, blowing and striking
- Signals are processed by a modal filter bank – an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures
- A stereo ambience reverberator
- Percussive impulse generator
- Coarse, fine and FM frequency controls
- All exciter and resonator parameters have a dedicated CV input with attenuverter
- Width: 34 HP
- Current draw: +12V: 130mA ; -12V: 10mA
£307.00 inc VAT
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- 1 year warranty
This product comes with a 1 year warranty as standard.
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