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Filters and EQs
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The ART P48 is a great patch bay solution for all studios giving you ultimate connectivity in 1 19-inch rack mountable unit.
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Combining valves, transformers, and the classic Pultec ideals, the Warm EQP-WA valve EQ is something pretty special!
Turn your pristine audio into something straight from the arcade: put a Meris Ottobit in your lunchbox!
Put two channels of compression that won't sap your high-end in your rack with the Drawmer DL251 Spectral Compressor
For the ultimate in desktop warmth, crunch, distortion and whatever lies beyond that, simply reach for the Elektron Analog Heat
Single channel 5-band lunchbox EQ with an uncanny ability to bring out the beauty of any mid-range.
Put a real, hands-on knobby filter in your studio and get resonance-happy with the Waldorf 2-Pole analogue filter!
All-tube optical mono compressor - smooth yet musical, with emphasis on clarity.
From crystal clean to gritty character and beyond, the SSL VHD 500-series preamp is the perfect front end for recording system
With the same circuit topology and components as the original design, the Focusrite Red 1 500-series preamp sounds just as impressive
Neve's original and legendary 1073 microphone preamp, now available in a compact and convenient lunchbox chassis.
Stereo variant of Kush's Clariphonic equalizer. Get some tightness and clarity to your mix today!
The Rupert Neve Portico 5014 is made from discrete components and offers the ability to manipulate the stereo image of your recordings
An improved version of the famous Really Nice Levelling Amp, the FMR RNLA 500-series let's you put it in your lunchbox!
Don't compromise on the front end when it comes to your recordings, plug your mic - or instrument, or line - sources into the Drawmer MX60
A fantastically versatile compressor that punches well above its price-point, the Art Pro VLA II compressor also features a valve gain stage
Got a spare slot in your 500 series rack? Put it to proper use with the Meris Mercury7 reverb
The incredible folks from Texas turn their hands to that most classic of classic optical compressors with the Warm Audio WA-2A compressor!
Class A vacuum tube microphone / instrument preamplifier | Tube gain and tube drive | Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft) | Three-band parametric EQ |
Say hello to even more harmonic distortion effects with Thermionic's Super 15!
Want to give your sounds some authentic analogue character? Run them through the Vermona Retroverb Lancet!
The Rupert Neve Designs Portico II Channel is quite possibly the most desirable front end for your system you can imagine
Rackmount de-essing processor suitable for both dual channel or stereo operation.
A professional compressor at a very project studio price, can you really get more compressor for your money than the FMR RNC?